Coming soon, last days<\/em>\u00a0shows the difficulties of an arthouse and cooperative movie theatre that programs auteur and resistance films in its four screens. The new cultural and consumer paradigm and its participatory model complicate its survival.<\/p>Javi, Miguel, Vero, Marco, Marta, Miguel \u00c1ngel or Cristina are some of the people who are determined every day not to let this cinematic oasis dry up. In order to turn on the projectors, there are assemblies, commission meetings and board meetings where everything is discussed. Films are shown in the screens and fewer and fewer people attend the screenings. While in the back room the projectionists barely have the means to change the light bulbs. The history of the theatre becomes increasingly complicated when technical problems collapseand it is necessary to get at least 30,000 euros to confrontan inspection that forces the closure of the theatre. We will accompany these romantics in their battle to keep this sacred space alive but without necessarily agreeing on how.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t